Picture House #3

Official home cinema of the AV Forums

Phase 4 : Summer 2004 : Installation of the kit

July 1st 2004 the video side of the Picture House was completed.

Luckily everything and everyone arrived as expected. David and Andy from Owl Video came to oversee the installation of the the screen they supplied. The builders were on site to cut a hole in the bulkhead for the screen to drop through. My friend Roland from B4 was coming with my Barco 1209 projector which he'd had in storage for 10 months.

Following the arrival of the builders, next David and Andy arrived from Owl. They supplied an electric, tab-tensioned, 7 foot, 16:9 Grand Cinema screen by ScreenLine. Since the screen is being featured on this website they drove half way up the country to help make sure everything went smoothly.

Soon after, Roland arrived, as did the TNT man with the DVD Player. You can see Roland here positioning the screen in the bulkhead. It's a tight squeeze.

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Phil and Vin cut the slot in the underside of the bulkhead for the screen to pass through.

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A rare photo of me cleaning up the loft space.

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We found one of the leads from the screen IR sensor had been broken during installation earlier in the week and so the screen remote didn't work at first. Luckily Andy from Owl spotted the problem and fixed it.

While David and Andy complete the wiring up of the screen motor in the loft space above, Roland converges the projector. The Barco's ideal position ended up being way over to the right from the centre of the room. Not what I expected and not in the ideal place for the spotlight above. But the room is skew whiff so it's hard luck. 2 long bolts are screwed into the projector body at the front to raise it to the correct angle to project onto the screen.

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The projector isn't fixed in place, but there are spikes under the two bolts so actually moving the projector would take considerable effort. And once the table is in place around it, nobody will accidentally move it.

The Phil is going to build a nice Mahogany coffee table round the projector so we decided to leave the top cover off to help air circulation.

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I know it's pretty pointless since taking photos of one's home cinema picture doesn't in any acurate way represent the brightness, contrast or colour of the actual image. But I've done it anyway.

Here are six grabs from one of my favourite movies Battle Of Britain.

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July 5th 2004 the audio side of the Picture House was completed. Another busy and exciting day as Dave and Colin drove up from Zebra to install the M&K speaker system.

Dave unpacks the speakers and prepares the SW-95s for installation by Colin.

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Colin cuts the holes in the bulkead and connects up the SW-95 in-wall speakers.

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Close-up of the right-hand SW-95. For information about this speaker check out the M&K website.

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Four M&K K4 Tripole surround speakers do the surround duties and the M&K MX350 subwoofer handles everything below 80Hz. The sub had to be placed at the back of the room because it is too high to place under the screen.

For information on the K4's go to the M&K website here. For information on the M&K MX350 click here.

 

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It's ten months since Picture House #2 was dismantled, and the two demo items I used to first hear the new system were Sheila Nicholls: Faith from DTS demo disc #7 and Chapter 16 of Saving Private Ryan DTS (the final battle). I had listened to both of these items many times and hoped that the new system would at least be as good as the old system (7 Ruark Dialogue Ones and a REL Studio III subwoofer).

The new system exceeded my expectations. Firstly the kick and depth of the bass drum in Sheila Nicholls: Faith was just what I had hoped for. Clean, crisp, punchy, and very deep. I'd had reservations that the MX350 might not have been up to the task. But it certainly was.

Then Saving Private Ryan and the overwhelming sound sequence from the final battle. Again the subwoofer blasted away in the corner. The rumbling of the approaching Tiger Tank and the whallop of the explosions was jaw-dropping. The real surprise was the amount of detail - mainly in the upper frequencies - which I hadn't previously heard. The squeaking of the tank wheels, the shattering glass and the 's' and 't' of dialogue were all clearly audible without excess or sibilance. This is distinct improvement on my previous system.

A good measure of a quality sound system is that when listening to it, you get drawn into the movie and forget you are analysing the audio. The Saving Private Ryan sequence played on and the three of us sat there transfixed.

I am exceedingly happy with the new sound system but to improve it further a Denon AVC-A1SRA replaced the AVC-A1SE on July 13th, 2004.

We still need somewhere to sit. Read on.

 

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